
A VOYEURS BODY
look away to see yourself.
Born with an unusual defect that left her without a navel, she grows up feeling like she doesn’t quite belong. Her body and her being carry traces of something foreign, something she cannot understand. To escape this strangeness, she develops a fascination with watching — always the observer, never the participant. But when she encounters a man, her fear of closeness begins to give way, turning into obsession. Gradually, her watching crosses boundaries: from distance to intimacy, from desire to intrusion.
The A Voyeurs Body tells the story of a woman on the edge of punishment and redemption — a film where voyeurism pervades every frame, and where her desire to observe might be closer to us all than we dare to admit.

She - Zoe Kaiser
A young woman living through her eyes to escape her own strangeness.
Zoe Kaiser is a student at the University of Zurich, studying Film Studies and Art History. A Voyeur’s Body marks her first leading role — and her debut as an actor.

The Stranger - Carlos Hernandez
A mysterious man that becomes the object of desire.
Carlos Hernandez is a Business Informatics student at the University of Zurich. Having previously performed on stage, A Voyeur’s Body marks his first appearance on screen.
ABOUT THE PRODUCTION
A Voyeurs Body is the first feature-length project by NADA, a collective of young Swiss filmmakers driven by curiosity and passion. The film was developed independently with minimal resources and maximal devotion to storytelling and visual exploration.
BEHIND THE SCENES VIDEO COMING OUT SOON ON YOUTUBE
MAIN CREW

Dario Meyer
Production Designer

Isabelle Monique Boha
Casting Director &
First Assistant Director

Robin Duvoisin
Director of Photography

Giulio Saibene
Camera Operator

Sofiia Mykhailenko
Makeup Designer

Sophie Hessler
Costume Designer

Fabian Zbinden
Gaffer/DP Assistant

Sese
Set Videographer/Executive Producer

KIMI - Director/Writer
The idea for A Voyeur’s Body began with the notion that, unlike guilt, shame is something that defines you as a person. It doesn’t relate to an action but to who you are — something that clings to you and cannot be escaped, because it’s tied to your own perception of yourself.
Today, shame feels amplified. We are constantly confronted with our own image, endlessly watching and evaluating ourselves. Watching, however, always creates distance — it turns us into observers of our own lives. The world becomes something estranged, where everything is only a depiction: a depiction of love, of normality, of what it means to be human.
The only truly human thing that remains is the desire to close the gap — that irreconcilable space between you and the thing you see.





